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She spreads fertility. What is received from on high, The Star, channel of universal generosity, pours toward the Earth to fertilize it.” Left: Le Toille from the Camoin/Jodorowsky TdM; Center: Le Toille from the Jean Dodal (1701) TdM currently preserved in the Bibliothèque Nationale à Paris; Right: L’Estoille Jean Pierre Payen (1713) restitution deck by Yves Reynaud It is an odd mark Jodorowsky refers to (it has always reminded me of a set of lips), but it has precedent in the Dodal and Payen decks. In most of the other historical decks, the mark has been diminished and appears to be an ordinary belly button, or it is not present at all. In the Dodal and Payen, and well as the Noblet, the naked woman is flesh-colored, except for her face, which is strikingly white, like the Popess’s. In 1709, Madenié made her face flesh-colored like the rest of her body, and so it is in every historical TdM type-II, as well as Jodorowsky’s deck, contributing to the distinct impression that in his recreation of an authentic Tarot de Marseille, he and Phillipe Camoin cherry-picked (or outright contrived) details to further the narrative they had decided upon. So are the seventeen lines displayed in the Popess’s book a discovery of another harmonic resonance in the Major Suit or artifice introduced, consciously or otherwise, into Jodorowsky’s commentary? It is always a slippery slope, and even if we can find no antecedent, that does not in itself invalidate the image. Authentic symbols cannot result from focused, linear, rational thought. “They,” as Joseph Campbell writes, “are not manufactured; they cannot be ordered, invented, or permanently suppressed. Mãos De Poker Probabilidades También hay torneos wildz casino diarios que le otorgan puntos de fidelidad canjeables por reembolsos y ofertas de giros gratis, mientras tanto. Jodorowsky makes an intriguing case for the connection between the Popess and the star woman, but he does not follow through. Further, he does not cite any historical precedent, and when we look at other cards, we see in the Noblet, the book has six lines, linking La Papesse to Le Chariot .